Manufacturer Part Number: ATOMSHGFL2
SHOOT WHAT YOU SEE.
Filmmakers constantly face exposure challenges on set, choosing between detail in the highlights and in shadows. Shooting Log from the camera is a partial solution, recording a broader brightness range but still you need to compromise on the monitor's image quality. The solution is the Shogun Flame, a 7' 10-bit AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNxHR recording, Sony and Canon Raw to ProRes/DNxHR recording, professional HDMI, SDI and XLR connections along with LTC/Genlock and bidirectional SDI/HDMI conversion needed on set and in broadcast. With AtomHDR, you get the brightness and dynamic range of HDR Log with natural, vibrant colors to let you simply shoot the way you see.
Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
SCENES IGNITE WITH 1500NITS OF LIGHT
Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional Rec709 video at high brightness for outdoor monitoring.
Simply pick the right mode, HDR or High Bright, and get busy setting up your shot on the premium 7' display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.
SIMPLE OS, SOPHISTICATED SHOTS
The Flame Series is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing and exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.
CONTINUOUS POWER IS BACK... WITH SUPER FAST CHARGING.
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.
ADVANCED DSLR AUDIO MONITORING
Record audio as well as video externally on the Ninja Flame. Monitor up to 8ch of HDMI audio or 2ch analog line in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment and Mic level adjustment when using external microphones (3.5mm unbalanced input).
ADVANCED RECORDING CAPABILITY
Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.
|Without batteries and media||650g / 22.9oz|
|With batteries and media||1094g / 38.6oz|
|Dimensions (W x H x D mm)||214 x 127 x 45mm, 8.4 x 5 x 1.8in|
|Construction||High quality lightweight ABS Polycarbonate for durability and portability|
|Built-in armor protection|
|Operating power||10 - 24W|
|Compatible batteries||NP-F series and supporting accessories|
|Input voltage (battery)||6.2V to 16.8V|
|Battery time (based on 7.4V)||-|
|5200mAh - up to 1.5hrs (monitor and record 4K 30p)|
|7800mAh - up to 2.2hrs (monitor and record 4K 30p)|
|DC In||1 x DC in (6.2 - 16.8V)|
** Patent pending
|Primary-secondary battery system |
Change batteries without losing power
Loop batteries continuously
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Color Gamut||REC709 HDTV|
|Look up table (LUT) support||3D LUT (.cube le format)|
|Anamorphic de-squeeze||2x, 1.5x, 1.33x, Panasonic 8:3|
|Technology||SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit|
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,|
Panasonic Vlog, JVC JLog, Red LogFilm
|Supported Gamuts||Sony SGamut / SGamut3 / SGamut3.cine|
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
|Bit depth||10-bit (8+2 FRC)|
|Brightness||1500nit (+/- 10%)|
|HDR input (PQ/HLG*)|
HDR output (PQ/HLG*)
|Yes / Yes *|
Yes / Yes *
|HDMI||1 x HDMI (1.4b)|
|SDI||1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)|