Overview
The A-Range is a 2-channel rack-mountable version of the legendary Trident ‘A’ Range console. Comprising two independent channels, each with a microphone/line amplifier and four band equaliser, it is designed to process level instrument and incoming signals from a microphone or line level instrument and output to a recording device, such as a digital audio workstation or analog multi-track tape recorder.
In 1972 Trident Studios decided to buy a new recording console and decided to build one themselves. The first console was designed purely for Trident Studios and was designated the A-Range. It was hand-built to the standards Trident set. In those days, the integrated circuit (or ‘chip’) had not been invented, so all of the circuits used individual transistors (known nowadays as ‘discrete’ design). This and the use of inductors in the lower and upper mid equaliser sections are said to account for much of the unique sound of the A-Range. From this first successful design was born Trident Audio Developments Ltd, which went on to become a leading manufacturer of music recording consoles. One of the company’s earliest advertising slogans was ‘designed by recording engineers for recording engineers’. This became a key component of what made the ‘Trident Sound’ unique.
The 2-channel A-Range rack unit is an exact replica of the original all-discrete transistor circuitry and faithfully follows the original console’s design. So much so that it has taken three years of circuit analysis and testing by PMI Audio Group who undertook the mammoth task of recreating the circuitry. Trident Audio Developments and PMI Audio are extremely pleased and proud to offer this unique piece of recording history. Only thirteen A-Range consoles were ever built and a number are still in use today despite being nearly forty years old. This says a lot about the heritage of these iconic items of recording equipment and the artists that have used them, which include Elton John, Dire Straits, David Bowie, Rod Stewart and Stevie Wonder to name but a few.
The Original Trident A-Range Console
Trident was undoubtedly positioned at the pinnacle of UK recording desks during the golden years of rock. Trident’s designs have certainly made an indelible impact on the sound of record making that is nearly impossible to gauge. The desks made for Trident Studios, and other studios fortunate enough to acquire them, were legendary in breakthrough flexibility and huge sound. During this time period, every record made on a Trident desk was uniquely and quite positively altered by the sonic imprint of their distinctive designs.
With only 13 consoles ever built of this model, the Trident A-Range has attained near-mythic status in the professional recording industry—particularly noted for its fantastic preamps and unusual and colorful EQ. It is interesting to note that the original desks all came in the beautiful aubergine (“eggplant”) color, which was ultimately selected by legendary producer Roy Thomas Baker.
A-Range History
The first Trident A-Range console was originally built by and for Trident Studios in 1971. When word spread about this revolutionary new multitrack recording console design, other studios became interested. In 1972, Trident Audio Developments was formed, and consoles were soon delivered. Later orders also started pouring in from America. Cherokee Studios in Los Angeles was an early recipient of one of the first production models, and ultimately purchased four new desks from Trident. David Bowie, Rod Stewart, and Frank Sinatra are among the first artists to record hits on Cherokee’s first A-Range console.
East West Studios, formerly Cello, still operates their original A-Range in Studio 3.
The smallest but arguably the most famous of their studios, the design of Studio 3 has been copied over and over by recording studios across the globe. Some of the most iconic hits of the 60s were born there. The Mamas and the Papas recorded “California Dreaming” and “Monday, Monday” in this studio, along with Scott McKenzie’s classic “San Francisco”. But one album recorded here stands above all the rest – The Beach Boy’s 1966 masterpiece Pet Sounds.
Some of the hits just from Studio Three Include;
1963 The Beach Boys “Surfin USA”
1964 Jan and Dean “Everybody Loves Somebody”
1964 Barry McGuire “Eve of Destruction”
1965 The Beach Boys “California Girls”
1965 The Beach Boys “Sloop John B”
1965 The Mamas & the Papas “California Dreamin’”
1965 The Turtles “It Ain’t Me Babe”
1966 Scott Mackenzie “San Francisco”
1966The Mamas & the Papas If You Can Believe Your Eyes and Ears
1966 The Mamas & the Papas “Monday, Monday”
1966 The Mamas & the Papas “I Call Your Name”
1966 The Beach Boys “Good Vibrations”
1966 The Beach Boys “God Only Knows”
1966 The Beach Boys Pet Sounds
1966 The Beach Boys Smile Sessions
1966 Johnny Rivers Poor Side of Town
1966 The Mamas & the Papas “Dancing in the Street”
1966 The Turtles You Baby
1966 The Sunrays Andrea
1966 The Association Renaissance
1967 The Association Windy
1967 Johnny Rivers “Baby I Need Your Lovin’“
1967 The Grassroots Feelings
1967 The Mamas & the Papas Deliver
1967 The Mamas & the Papas “Creeque Alley”
1968 The Association Time for Living
1968 5th Dimension “Stone Soul Picnic”
1968 The Cowsills “Hair”
1969 The Grassroots Leaving It All Behind
1971 Hamilton Joe Frank & Reynolds Ain’t No Woman
1973 America “Goodbye, Goodbye”
1974 The DeFranco Family Save The Last Dance For Me
1976 Herb Pedersen Southwest
1979 Herbie Hancock Monster
1980 Blondie “The Tide is High”
1980 Blondie “Rapture”
1980 Dolly Parton “9 to 5”
1983 Bow Wow Wow When the Going Gets Tough, The Tough Get Going
1984 Donna Summers Cats Without Claws
1985 Stevie Knicks “Rock A Little”
1997 The Rolling Stones Bridges to Babylon
2001 Blink-182 Take Off Your Pants and Jacket
2001 Natalie Merchant Motherland
2001 System of a Down Toxicity
2002 Muse Absolution
2002 AFI Sing the Sorrow
2003 The Mars Volta De-Loused in the Comatorium
2003 Jimmy Eat World Futures
2004 Ryan Adams Love Is Hell
2009 Rihanna Rated R
2009 Band of Horses Infinite Arms
2010 Rihanna Loud
2011 Frank Ocean Channel Orange
2011 Nas Life is Good
2011 Jimmy Cliff Rebirth
2012 Richie Sambora Aftermath of a Lowdown
2012 Kelly Rowland Talk A Good Game
2012 Kate Nash Girl Talk
2012 Music for the film Behind the Candelabra
2012 Music for the TV Show American Horror Story
2012 Demi Lovato Demi
2012 Music for the TV Show The New Normal
2012 Ariana Grande Yours Truly
2013 Janelle Mon√°e The Electric Lady
2013 Music from the film Oblivion
2014 Lea Michele Louder
Another of the legendary studios to use the A-Range consoles was Chreeokee Recoding Studios in Hollywood. Cherokee studios owned at one time 4 A-Range consoles. Many bands and artisits have recorded on A-Range consoles at Chreeokee over the years including the following;
David Bowie
With Cameron Crowe documenting the recording sessions for Rolling Stone, David Bowie came to Cherokee Studios in 1975 to record his platinum album Station to Station.
Motley Crue
Mötley Crüe recorded the platinum selling albums Theatre of Pain and Shout at the Devil at Cherokee Studios.
Harry Nilsson
Harry Nilsson recorded his final album Flash Harry at Cherokee Studios between 1978 and 1980. Produced by Steve Cropper and engineered by Bruce Robb, the album has a very clean, soulful sound and features a who’s-who of collaborators including Ringo Starr, Paul Stallworth, Eric Idle and Mac Rebennack.
Bonnie Raitt
While living in one of the West Hollywood apartment complexes directly behind Cherokee Studios, Bonnie Raitt would pick up backup singing recording gigs with music producers Bruce Robb and Steve Cropper.
Frank Sinatra
Frank Sinatra recorded the Sinatra Christmas Album at Cherokee in 1975.
Ringo Starr
While he was recording Stop and Smell the Roses at Cherokee Studios in 1980, Ringo Starr invited George Harrison, Paul McCartney and Linda McCartney to guest on the album; Paul McCartney and Harrison also produced some of the tracks. Starr had approached John Lennon to help out as well, had received two demos of songs which eventually wound up on the posthumous Lennon album Milk and Honey, and reportedly, Lennon had agreed to come to Los Angeles in January 1981 and take part in the recording; the album then would have been a modest Beatles reunion. The assassination of Lennon prevented those plans from coming to fruition. Ronnie Wood of the Rolling Stones also collaborated with Starr on the album at Cherokee, adding guitar, bass, saxophone, keyboards, and back-up vocals.
Weird Al Yankovic
Weird Al Yankovic recorded his first album at Cherokee in 1982. The album sold over 500,000 copies.
Warren Zevon
In 2002, a terminally ill Warren Zevon came to Cherokee Studios to record what would be his final album, The Wind. Nick Read filmed Zevon’s final recordings at Cherokee for the documentary,Warren Zevon: Keep Me In Your Heart. Bruce Springsteen joined Zevon at Cherokee for the single “Disorder in the House,” Cherokee owner Bruce Robb provided lead guitar on the first track of The Wind and support vocals on two other tracks.
Michael Jackson
Michael Jackson‘s 1979 album Off the Wall was recorded at Cherokee Studios. The album is among the best-selling albums of all time.
Acts that have recorded at Cherokee Studios also include:
Aerosmith
Alice Cooper
Automatic 7
Barbra Streisand
Bliss 66
The Cars
Concrete Blonde
Dave Matthews Band
David Bowie
Device
Devo
Diana Ross
Dokken
Donovan (Lady of the Stars)
Elis Regina
Fear
The Go-Go’s
Toto
Guns N’ Roses
Sammy Hagar
JetSet
Journey
Lillian Axe
Korn
Lenny Kravitz
Lita Ford
Rollins Band
Steely Dan
Stryper
Stylus Automatic
Suicidal Tendencies
The Choirboys
Thirty Seconds to Mars
Van Halen
X
The Broken Homes
Radio Active Cats
Bihlman Bros